翻訳と辞書
Words near each other
・ Antoniabreen
・ Antoniadi (disambiguation)
・ Antoniadi (lunar crater)
・ Antoniadi (Martian crater)
・ Antoniadi Dorsum
・ Antoniadi scale
・ Antoniadis
・ Antonian College Preparatory High School
・ Antonian Order of Saint Ormizda of the Chaldeans
・ Antonianism
・ Antoniano
・ Antonians Sports Club
・ Antoniazzo Romano
・ Antonibe
・ Antonie (given name)
Antonie Adamberger
・ Antonie Aris van de Loosdrecht
・ Antonie Augustus Bruijn
・ Antonie Brentano
・ Antonie Claassen
・ Antonie de Gee
・ Antonie Dixon
・ Antonie Frederik Jan Floris Jacob van Omphal
・ Antonie Frederik Zürcher
・ Antonie Gerrits
・ Antonie Hegerlíková
・ Antonie Iorgovan
・ Antonie Jaeckel
・ Antonie Kamerling
・ Antonie Marinus Harthoorn


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Antonie Adamberger : ウィキペディア英語版
Antonie Adamberger

Antonie “Toni” Adamberger (
* December 31, 1790 in Vienna; † December 25, 1867 in Vienna) was an Austrian stage actress.
== Biography ==
Born to the tenor Valentin Adamberger and the actress Maria Anna Jacquet, she was raised after the death of her parents by the poet Heinrich Joseph von Collin. Debuting at the age of sixteen on New Year’s Day 1807 at the ''Burgtheater'', she was immediately engaged as a Court Actress 〔Stein, S. 1.〕 and “straightway found great acclaim as an ''ingénue'', in both sentimental and some tragic parts.”〔 Antonie Adamberger quickly became the darling of the Viennese public, displaying her abilities as Beatrice in ''The Bride of Messina'' and also as Desdemona and Emilia Galotti.
Beethoven composed Klärchen’s songs “''Die Trommel gerühret''” (“The drum is a-stirring”) and “''Freudvoll und leidvoll''” (“Joyful and woeful”) (first introduced at the ''Burgtheater'' on June 15, 1810) in his incidental music for Goethe’s ''Egmont'' with Adamberger specifically in mind. She would later repeatedly and enthusiastically recall her collaboration with him.〔Kopitz, Klaus Martin, and Cadenbach, Rainer (Eds.). ''Beethoven aus der Sicht seiner Zeitgenossen'' ("Beethoven in the View of his Contemporaries"). Munich 2009, Vol. 1, pp. 3–5.〕
In 1812 Theodor Körner was employed as a principal author for the ''Burgtheater''. Adamberger saw him for the first time at a rehearsal for his comic piece, ''Der grüne Domino'' (“The Green Domino”).〔 In the same year she and the poet were betrothed. In February 1812, Körner write his drama ''Toni'', in which his ''fiancée'' later undertook the leading part. Antonie Adamberger belonged to the circle of the Austrian novelist Karoline Pichler, who later wrote of her appearance in ''Toni'':
Until his death in 1813 Körner wrote numerous poems to her, particularly directing to her his tragedy ''Zriny'' after her success in ''Toni''.
In 1817, some years after the poet’s untimely death, Adamberger abandoned the stage and married the antiquary and numismatist Joseph Calasanza von Arneth. Two years later their son Alfred von Arneth was born. In 1820 Antonie became Reader to the Empress Caroline Augusta. In 1832 Adamberger was named Directress of the ''Karolinestift'', an institute for the raising of soldiers’ daughters.

Antonie Adamberger died in Vienna in 1867. Her body lies in a “distinguished grave” (''Ehrengrab'') in the Vienna Central Cemetery (Group 14 A, Number 49).
''Circa'' 1805 Joseph Hickel painted a portrait of Adamberger, from which Johann Maria Monsomo produced a miniature of her.
In 1894 a street in Vienna in the Leopoldstadt district (District 2) was named the ''Adambergergasse'' after her. The ''Arnethgasse'' in the Ottakring district (District 16) was named after her husband.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Antonie Adamberger」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.